22. september 2010
om amarani jivantiye soha
om mani peme hung hrih
om ah hung vajra guru pema siddhi hung
om ah hung vajra guru pema tötreng tsal
vajra samaya dzah siddhi phala hung ah
om bodhichitta mahasukha jnanadhatu ah
om rulu rulu hung bhyo hung
om vajra sattva ah
Tulku Urgyen Rinpoche spoke:
We possess the tathagata-garbha, the enlightened essence which is like pure gold, but we have fallen into confusion which is like gold becoming tainted by impurities. This is what needs to be purified on the Path. Similarly, possessing the deities of the three bases of completeness is like possessing pure gold, but not recognizing it as such is similar to our gold being concealed by impurities.
So what must we do? We need to clear away the impurity that conceals the gold which is possible through practice. If we weren’t already endowed with this pure gold, but instead possessed mere brass, we could polish and clean as much as possible, but the brass would never turn into gold. Nevertheless, since we already have a divine nature, then if we engage in the development, recitation and completion stage practices, which act like a polish, we can realize what we actually are.
If we have a piece of wood and we clean and polish it, will it ever turn into gold? No, that is called ‘regarding something to be what it is not.’ Here, we are talking about regarding things to be what they actually are. Since we already possess the enlightened essence, if we practice on the path of development, recitation and completion, then we will definitely purify our obscurations and truly realize the dharmakaya.
If we don’t mistake the first day of the lunar month, then when we arrive at the fifteenth the full moon will appear complete and round in the sky. But if we mistake the first day to be the second, then when we reach the fifteenth it will actually be the sixteenth and we will have been wrong the entire time.
In short, the main focus of the practice is that the world around us, whatever appears and exists, is a celestial palace while the male and female sentient beings are all dakas and dakinis. All sounds are mantra, and all thoughts and emotions are pure wisdom. This is the key point of this drubchen, the great accomplishment - pure sights, sounds and awareness. This means whatever we see with the eyes is the pure form of the deity, whatever we hear with the ears is the sound of mantra and whatever we think, all thoughts and mental activity, is actually the enlightened Vajra Mind, the self-existing wisdom. This is what we should keep in mind.
If we chant correctly the purity of recitation is said to increase the merit one-thousand times. While maintaining purity of concentration - keeping the correct frame of mind - multiplies the merit one-hundred thousand times.
The dharmakaya mantra is the Buddha of Limitless Light, Amitayus’ mantra: om amarani jivantiye svaha. The sambhogakaya mantra is Avalokiteshvara’s mantra: om mani padme hung hrih. The nirmanakaya mantra is Guru Rinpoche’s mantra: om ah hung vajra guru padma siddhi hung. Finally, for the twelve manifestations of Guru Rinpoche, there is one combined mantra: om ah hung vajra guru padma thotreng tsal vajra samaya dzah siddhi phala hung ah.
In our heart-center are the forty-two peaceful deities, and their combined mantra is: om bodhichitta maha sukha jnana dhatu ah. The essence mantra of the fifty-eight Herukas, the wrathful deities in our crown-center is: om rulu rulu hung bhyo hung. And the essence mantra of all the other deities combined into one is om vajra satva hung, or more commonly: om vajra satva ah.
Erik Pema Kunsang: vocals. Tara Trinley Wangmo: guitar and vocals. Ki-Ja Kristoffersen: vocals and drum. Paul Izenberg: vocals and drum.
15. september 2010
While knowing, you may know that things are empty,
yet in delusion.
While holding, you may hold the view, but still
it is a bind.
While thinking, you may ponder dharmakaya,
it's still a thought.
While meditating, you may nurture nonthought,
but still conceptual.
English translation & vocal: Erik Pema Kunsang. Music & vocal: Tara Trinley Wangmo. Bamboo flute: Ajith Kodikara. Tabla: Malith Anuradha & Ajith Alosius. Sitar: Deshapriya Mihiripanne. Keyboard: Ranga Jagoda.
(c) 2010 Songs from Sacred Islands.Modified from Wellsprings of the Great Perfection, Erik Pema Kunsang, Rangjung Yeshe Publications.